vessel
114 kensington park rd, london | +44 (0)207 7278001 info@vesselgallery.com
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  salviati meets london  
             
 
future systems
studio dillon
ross lovegrove
thomas heatherwick
 
about morano glass
the making of salviati meets london
the making of future systems
the making of studio dillon
the making of ross lovegrove
the making of thomas heatherwick
 
The Making of Salviati Meets London
 

Our journey to presenting you these remarkable finished pieces has taken a year in the making, from the initial invitation to artists whom we either already knew or had admired from a far, to the precious pieces arriving cocooned in their wooden caskets from Murano. Vessel has found this project exhilarating and we feel both proud and honoured to have played a part in this new chapter of Italian glass making history.  

Firstly we are hugely indebted to the knowledge & expertise of English glass maestro Simon Moore whom, as project manager, has developed and nurtured the project in such a capable way. His twenty five year experience in designing and making glass, as well as having been former creative director of both Salviati and Dartington Crystal, stood him in excellent stead for all the exciting challenges that this project would present.

From rainy but bright days in London, using the renowned facilities kindly donated by the Royal College of Art, and in the shadow of a gleaming Prince Albert Memorial, the initial sparks of ideas were carefully nurtured by Simon and the artists, for them this was a time of great discovery and familiarisation as none had any previous art glass experience. To allow the artists the utmost freedom, and purposefully draw on their varied backgrounds, they were given a completely open brief.

With the coming of Spring, several visits were then made by each artist to the Murano furnaces of Salviati, where the artists finally met and worked alongside some of the greatest glass blowers in the world. The maestri in turn did their most to learn about the new designs proposed, and interpreted the initial sketches with their usual flair and vigour. This was definitely a meeting of minds rather than a leader and executor, and some new techniques and tools had to be devised. It seems as the temperatures rose towards the height of summer, so did the creativity and effort of all those involved.

This project could not have happened without the input, expertise, energy, ideas and generosity of several people and institutions. Foremostly all the artists have given so freely of their time and ideas for no reward other than an appreciation of the medium.  

We would like to pay tribute to all the Salviati team, from the blowers in the hot shop, via the workers in the cold working shop, to the administrative side of the company itself who have shown such passion and strength in going the extra mile for this project. No one person is more important than the other, glass making is all about team work and passion for the most incredible of all materials.

Avery special thank you to Salviati, Dario Stellon (Manager of the Salviati Factory) and Simon Moore (Project manager).

Nadia & Angel

 

A message from Simon Moore, Project Manager:

As project manager one of  the things that became so wonderfully apparent is how different designers are to makers. I, being both a maker and designer, have realised neither can live without the other, but it was very interesting watching the designers trying to both challenge and understand the physical limitations of blown glass.
Bravo to the glass maestri for attempting such difficult feats.
Bravo to Vessel for being brave enough to take on such a project.

 
 
Project Manager, Simon Moore
 
 
Factory Manager, Dario Stellon
 
 
Maestro, Valter Rossi
 
 
Second Servente, Franco Giuba
 
 
First Servente, Paolo Lombardo
 
 
Molatore, Riccardo Tiozzo
 
 
Simon Moore in Venice